

Not yet. I’m broadly aware that a shaper is the obvious route here, but don’t have any on the ground experience with them. All the earlier prototype designs have had deliberately simplified profiles, easy to handle with standard router bits.
Pretty accurate. I plan to make the support bar in the second image via a laser-cut router template. The rails should nestle into the matching part of the support bar’s profile, ideally with no visible gapping.How clean and precise a cross section do you need to produce?
For this part, likely a dozen at a go at the outset, so getting shaper knives made and finding a shop to handle the milling seems wise. Really, I need to do my homework on shapers, since I have another major part that could use a shaper for both the profile and tenoning, at three dozen per run.How many parts are you making? If it is more than one or two, and you don't have a shaper, I would consider having corrugated shaper knives made and then having a shop with a milling head that accepts corrugated knives to run x number of linear feet for you. [ ... ]
Thanks Chris. I’m actively contemplating this kind of route for some later work. I’ve been building a sketchbook of design ideas for pieces that aren’t production models, more likely one-off or limited runs, which allow me to play with design concepts and build approaches which aren’t amenable to (tiny) mass production.Chris Hall wrote: ↑Sat Apr 07, 2018 9:25 amOf course, if you wished to stick with hand tools, and there was enough of this section to produce so as to justify the expense of the tools and dedicated sharpening media, then you could certainly process both those shapes with a pair of planes.
Thanks Brian. I’ve been keeping the idea of standard and custom moulding planes in mind for a while now, learning a bit about how moulding planes are made, and their care and feeding. But I haven’t taken the plunge there yet. I have a few ideas in mind for which custom plane(s) seem like a good idea or perhaps even the best approach.Brian wrote: The 1/4 R might be worth having a bit made, for the larger 1/2 R I would apply layout lines and plane for a smooth radius. I have various rounder planes and find them useful enough to have on hand and to keep sharpening media, they're tedious to setup because you need to fit the chipbreaker well to the blade and fit the blade well to the plane sole in order for the whole thing to work out well. They're worth the aggravation as they do produce a very fine finish.
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That's crossed my mind, Brian. The photos above are the first draft of a redesign of my rail supports, breaking away from the simple, functional "square with rounded corners" in the first prototype. I'm essentially feeling out a simple design language that will unite the rail supports, rail profile, and the stand's torii. Which is a long winded way of saying that everything's still up for grabs. Since this version is intended as a regular production piece, I need to be mindful of the time-cost of various design choices. Likewise, an important design goal is that the stand be easily disassembled for storage or transport. (A requirement common to virtually all larger modern hand-work fiber arts equipment.)
I do! Well, I did and I will, to be pedantic. I'm currently building my own shop after having worked in co-op shops for years. As it happens, I largely used the basic table saw approaches you describe on the first prototype, excepting the angled cuts needed for this new profile.
Thanks, that's also helpful. As I mentioned earlier in the thread, I may or may not go with a hand-planed approach once I settle on a profile for the production stand. However, I'm eagerly plotting out designs for stand variations which will involve quite a bit of handwork.[useful hand-finishing advice]
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